Attached is a video of my result from the tutorial recommended to me during the last class. To be perfectly honest, I still do not quite...

After finalizing projects in GSAS Capstone, and considering the wonderful idea given to me by professor Ruzanka to engage in terrain...

A great forum of talented individuals. The first lecture I attended was with Carmine Cella speaking to mathematic generation of musical...

While I think it would be so fun to design my own conducting baton controller for my game idea, I am continuously pushing myself away...

Attached is a video discussing the compositional process of Olivier Deriviere, a composer who is using Wwise in cool ways in the triple-A...

For the life of me, I cannot seem to start a modular synth in any of my blueprints. I don't know how sound cues play into it and I don't...

Created a basic template world and added code to print the players vector in 3D space. Next step is attaching some sort of sound to the...

Continuing on the topic of my last post, I'm currently mulling over considering a custom environment made by the player. I could create a...

Upon looking into the ideas explored by Professor Hamilton in his project ECHO:Canyon, a useful list of what was used as input data by...

The paper below discusses the implementation of space as a part of musical composition and performance itself. They quote examples from...

Winifred Phillips' GDC page popped up during a google search, which included a brief inclusion of CALMUS software, which I found on the...

This article was fascinating to me because it added to my prior thoughts regarding randomization, but it was less random and more...

It would be a great connection to game design and environmental composition, and this paper sparks some ideas for me in regards to...

Considering the possibility of engaging in randomization from the top-down. Upon further thought in regards to what we recently discusses...